With Love, Little Red Hen

With Love, Little Red Hen

BOOK DESCRIPTION

Hid­den For­est has a new res­i­dent. Lit­tle Red Hen and her seven lit­tle chicks have moved into a cot­tage and plan to grow a boun­ti­ful crop of corn in the nearby field. The prob­lem is that none of the Red Hen’s neigh­bors are will­ing to help with the hard work. “Not I,” says the dog, the goose, and the lazy cat. So Goldilocks, who has heard about the new arrivals from her friend Lit­tle Red Rid­ing Hood, comes up with a neigh­borly idea: Why don’t all the res­i­dents of Hid­den For­est chip in and work on the gar­den? Bet­ter yet, why not make it a sur­prise? Of course there are a cou­ple of res­i­dents who might not be so coop­er­a­tive. Will Wolfy Lupus and his cousin Fer O’Cious hatch a new plot of their own?

Fol­low­ing the highly acclaimed Dear Peter Rab­bit and Yours Truly, Goldilocks, Alma Flor Ada and Leslie Tryon offer young read­ers another peek into the world of their favorite sto­ry­book char­ac­ters, revealed through the charm­ing let­ters they write to one another.

AUTHOR’S NOTE

The Lit­tle Red Hen has always been one of my favorite fairy-tale char­ac­ters. Both as the hard­work­ing gal who does not hes­i­tate to do all the work by her­self or as the resource­ful hen who loves to saw and finds in her scis­sors, thread and nee­dle the means to escape her cap­tor. In both episodes she shows the best traits of the female per­son­al­ity. For this third book in the Hid­den For­est series, fol­low­ing Dear Peter Rab­bit or Querido Pedrín, and Yours Truly, Goldilocks or Aten­ta­mente, Ric­i­tos de Oro, I chose to have two dif­fer­ent hens, Lit­tle Red Hen and her cousin, Hetty Hen, carry each of the sto­ries. I made them cousins in honor of my own, who have always been very dear to me. I chose to make Hetty Hen sin­gle, in honor of the beau­ti­ful and strong sin­gle women in my fam­ily, among my aunts and nieces. On the other hand, I made Red Hen have seven chicks. The magic num­ber were the num­ber of grand­chil­dren I had at the time, to whom I ded­i­cated the book. But they were really inspired by my own four very help­ful children.

The pres­ence of the chicks and the sol­i­dar­ity expressed by Lit­tle Red Rid­ing Hood give a new fla­vor to the story, which ceases to be totally indi­vid­u­al­is­tic although con­tin­ues to stress fairness.

It was an added joy that the Hid­den For­est series would not end here, but would be com­pli­mented by Extra! Extra! Fairy-Tale News from Hid­den For­est or ¡Extra! ¡Extra! Nuevas del Bosque Escon­dido.

You can read Leslie Tryon’s reflec­tions about the cre­ation of the Hid­den For­est series in the chap­ter she wrote for Alma Flor Ada and You, vol­ume II pub­lished by Libraries Unlim­ited in the series The Author and You.

REVIEWS

Pub­lish­ers Weekly

Alma Flor Ada returns to the Hid­den For­est a third time for With Love, Lit­tle Red Hen, illus. by Leslie Tryon, once again relay­ing her tale through cor­re­spon­dence from sto­ry­book char­ac­ters. Lit­tle Red Rid­ing Hood, Goldilocks and oth­ers sur­prise the indus­tri­ous but stressed-out Ms. Hen by secretly cul­ti­vat­ing her corn, while two wolves plot to kid­nap her for a chicken dinner.

School Library Journal

K-Gr 3– In this engag­ing sequel to Ada’s Dear Peter Rab­bit (1994) and Yours Truly, Goldilocks (1998, both Atheneum), the Lit­tle Red Hen and her chicks move into the Happy Val­ley sec­tion of the Hid­den For­est. The hen’s request for help from her lazy neigh­bors is met with the famil­iar cho­rus, “Not I.” She writes of her new sur­round­ings and adven­tures in let­ters to her friend Hetty Henny. Lit­tle does she know that she is the topic of con­ver­sa­tion in let­ters between Lit­tle Red Rid­ing Hood and Goldilocks, who secretly decide to give her a hand. But not all is happy in Happy Val­ley with Wolfy Lupus and Fer O’Cious try­ing to make meals out of their neigh­bors. Hetty has a close call, but her scis­sors, nee­dle, and thread pro­vide her with a way out of trou­ble. Finally, when the Lit­tle Red Hen throws a party for her neigh­bors, the bad guys lose their oppor­tu­nity to make a chicken din­ner and slink off in shame and dis­ap­point­ment. Tryon’s charm­ing pen-and-ink with water­color illus­tra­tions depict a bucolic par­adise with neigh­bors who look out for one another. Team the three Hid­den For­est books with Janet and Allan Ahlberg’s The Jolly Post­man (Lit­tle, Brown, 1986) and Each Peach Pear Plum (Viking, 1979) for a fun look at nurs­ery rhymes and at let­ter writ­ing. Bina Williams, Bridge­port Pub­lic Library, CT.

Book­list

Ages 5–8. Like Dear Peter Rab­bit (1994) and Yours Truly, Goldilocks (1998), this addi­tion to an imag­i­na­tive series once again com­prises let­ters between beloved sto­ry­book char­ac­ters. Cor­re­spon­dence here describes the Lit­tle Red Hen’s arrival in the Hid­den For­est, an enchanted place where a num­ber of famil­iar sto­ry­book char­ac­ters reside. Ada does a great job entwin­ing the lives of pre­vi­ously unre­lated char­ac­ters into one intrigu­ing story. Tryon’s real­is­tic, highly detailed water­color and pen-and-ink illus­tra­tions are equally appeal­ing, espe­cially the splen­did double-page spread depict­ing the cel­e­bra­tory party Lit­tle Red Hen throws for the friends who helped her plow and plant the field. It’s not essen­tial for young­sters to be famil­iar with the pre­vi­ous books or with the sto­ries on which the let­ters are based, but hav­ing back­ground will cer­tainly add to enjoy­ment. Lau­ren Peterson.

READERS’ RESPONSES

View the With Love, Lit­tle Red Hen Pow­er­Point Project by Megan Starzl

Let­ter Writ­ing Book Bun­dle
From: http://laurabensonopenbook.blogspot.com

First and fore­most, engage chil­dren in read­ing their own writing/letters and the work of their peers. As well as pro­vid­ing stu­dents with a rel­e­vant genre in which to learn more about text struc­ture, let­ter writ­ing is very moti­vat­ing for kids. Addi­tion­ally, let­ters pro­vide us with a rel­e­vant vehi­cle to teach stu­dents con­ven­tions and help them care about being mind­ful of con­ven­tions in their own writ­ing.” Read more »

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